TRAVELING INDONESIA

Affandi Museum is laying at Jl. Laksda Adi Sucipto 167, Yogyakarta. This street has a famous name called Solo street because it connects two big cities (that is Yogyakarta and Solo). The museum which is placed at the west of the Gajah Wong river has its wide area for about 3500 are. This area consist of the museum itself and the building used to Affandi's house. The unusual land surface gave an inspiration to Affandi to build unique building on it. The result is, an unique integrated environment planned by him self.
The complex of the museum consists of 3 galleries with gallery I as the ticket box and the starting point of your exploration. Gallery I that was personally opened by Affandi in 1962 and was inaugurated in 1974 contains some of his paintings from the early time of his work to the late time of his life. The paintings most of which are sketches and reproductions are placed in two rows - upper and lower - that fill the curved room.

Still in Gallery I, you can see valuable things belonging to Affandi. At one corner of the room, there is a 1976 Colt Gallant car in greenish yellow color that was modified to form a fish, and an old wind-cycle as his means of transportation. The reproduction of the statue of Affandi and her daughter, Kartika, is shown as well.

Entering Gallery II, you will see paintings by different painters, both junior and senior ones. The gallery that was inaugurated in 1988 consists of two floors with paintings that you can see from different angles. The first floor is full of abstract paintings and the second floor contains realist-style paintings.

Gallery III as the next destination is a unique building of which roof resembles banana leaf. The three-stories floor is a multifunction gallery with the first floor functions as an exhibition room as well as the location of "Gajah Wong Gallery" for children who sharpen their painting ability, the second floor functions as paintings treatment and restoration room, and the room underground is utilized to keep painting collections.

There is a tower close to Gallery III where you can see the scenery of the entire museum, Gajah wong River and the hurly-burly of the main street. Walking to the west, you will come to a house with unique architecture where Affandi and his family used to live.

The house was built with the concept of a stage-house with concrete as the main pillars and other poles are from wood. The roof is shingle roof forming banana leaf and the shape of the building is uniquely curving. The ground floor is used for Kafe Loteng where you can buy foods and drinks and the upper floor is personal room of Affandi's.

At the left side of the house, there is a cart functioning as a place for praying. The cart used to be the resting place for Affandi's wife, Maryati. Initially, Maryati wanted a caravan as the ones used by many Americans as a mobile living place. Affandi agreed to the concept but with more Indonesian style, namely a cart.

In order to visit Affandi Museum, you only have to spend IDR 10,000 for domestic tourists and IDR 20,000 for foreign tourists and additional IDR 10,000 for taking photographs.
Ref:www.affandi.org;www.yogyes.com

Jalan Malioboro is centrally located in downtown Yogyakarta. The street stretches from Tugu Railway Station to the Sultan's Keraton, spanning across some 2 1/2 kilometres in length. Major roads in the city such as Jl Jenderal Sudirman, Jl Mangkubumi, Jl P. Senopati, Jl Sultan Agung, Jl KH A Dahlan and Jl Pasar Kembang will converge at this street.

Enjoying shopping experience, hunting exclusive souvenirs of Jogja, tourists may walk on foot along the arcades of Malioboro Street. There are many vendors selling their merchandises, ranging from such local handicrafts as batik, rattan ornament, leather puppet, bamboo handicrafts (key holder, ornament lamp, and others) as well as blangkon (Javanese / Jogjanese traditional cap) and silver goods to general little things that you may find in other trading places. Along the arcade, tourists will not only enjoy shopping peacefully on sunny or rainy days but they also enjoy bargaining prices. If they are good at bargaining and have good luck, they will end up buying at third quarter or even half of the prices offered.

Do not forget to save energy. There is still one big traditional market tourists must visit. Well known as Pasar Beringharjo, this market provides complete traditional products in addition to similar goods sold along the arcade of Malioboro Street. In addition to local products of Jogja, products from neighboring areas such as Pekalongan batik and Solo batik are available. There are many choices of hand made batik, printed batik, window curtain with unique motifs and batik bed sheet. This place will satisfy the desire of buying unique goods at reasonable price.

Please make sure that you are not cheated by the offered prices. Usually, the vendors will increase the prices for tourists.

During your stroll, you will also ran across traditional modes of transportation that you may be tempted to try. The most ubiquitous one is the trishaw, a three-wheel pedal-powered bicycle cart, locally known as becak or beca. For the hopeful romantics, there is also an exquisite horse carriage, which is locally known as andong or dokar. Normally, you don't have to look for these carts. The operators will definitely offer you a ride. Some get to the point of chasing you. If you are not interested, do politely decline. If you fancy a ride, a short tour along Jl Malioboro on becak should start from Rp10.000 ($1.20) upwards, depending where you want to go. I was toying with the idea of hiring a becak, but during the haggling discussion, I found out that the becak operator was ready to dupe me (he quoted something like Rp50.000 for a trip to the Sultan's Keraton after knowing I was from Malaysia). Walking away, mortified, he chased me and said, "Rp30.000", and then "Rp20.000". I ended up flagging a reliable and honest taxi driver to my destination for a mere Rp10.000.

In short, do exercise caution when dealing with the street vendors - be it gift sellers or becak operators.
Ref: www.yogyes.com; java.uluwatu.org

The famous shopping place Pasar Beringharjo is at Malioboro, north of Vredeburg Fort in Yogyakarta, Indonesia. Walk along the famous Malioboro Street and almost at the end of the street, you'll see Pasar Beringharjo. It is right at the heart of Yogyakara and convenient to access from anywhere in the city.

The market that had been renovated several times symbolizes stages of human life that is busily engaged in its economy fulfillment. Furthermore, Beringharjo is also one of the 'four in one' poles (consisting of South Square, Sultan Palace, North Square, and Beringharjo market) symbolizing economy functions.

The area where current Beringharjo market lies used to be forest of banyan trees. Soon after the foundation of Ngayogyakarta Hadiningrat Kingdom, i.e. in 1758, the area was used as a place for economy transaction by the people of Yogayarkta and its vicinities. Only hundreds years later, namely in 1925, the transaction place had a permanent building. The name 'Beringharjo' was given by Hamengku Buwono IX, meaning that the place where banyan tree (bering) used to grow is expected to bring welfare (harjo). Now, tourists define this place as an enjoyable shopping place.

If you want to buy Batik, Beringharjo is the best place because of its complete collections; ranging from batik cloth to batik clothes made of both cotton and silk materials, with the prices ranging from tens thousands to a million. Collection of batik cloth is available in west and north parts of the market, while batik clothes collection is available almost everywhere in the west part of this market. In addition to batik clothes, the west part of the market also offers traditional clothes: surjan, blangkon, and sarong both woven and batik printed ones. Sandals and bags sold at reasonable prices are available around the escalator of the west part of the market.

Batik collection in this market is quite full, both for children, teenagers, and parents, all available in various models, including if you want to buy batik uniforms for the family. Various kinds of batik can be found here, from batik cloth, jarik (batik cloth to subordinate it wearing clothes), and batik clothes to receptions or official events, house dress batik, batik sheets, with accessories to the home of batik.
Batik in Beringharjo market can be purchased in a large number of tourists because of the purchase by by- sufficient batik, this market is the central wholesale batik retail seller in Yogyakarta and outside Yogyakarta. Unfortunately, this market is only open until 5 pm.

Visiting Sonobudoyo Museum is an alternative to see keris and other related items to it from all parts of Indonesia. The museum that keeps around 1,200 keris (most of them were donated by Java Institute) will satisfy your curiosity about keris since the Kingdom of Yogkarta that keeps sacred keris does not allow public to see its keris collection.
Sonobudoyo Museum is within easy reach from Yogyakarta Kingdom; it is located across the North Square of Yogyakarta. To get into it, you only have to pay the entrance ticket as much as IDR 3,000.Meanwhile, in order to see various kinds of keris, you have to go through quite long procedures because you have to get permission from the museum chief officer. This is because many of the keris collection are still kept in the collection room; they are not shown to public.
The first thing you will see that is related to keris is wesi budha (Buddha Iron); it is the main material to make keris that was used in around the year 700s AD, or during the triumphant of Hindu Mataram Kingdom. Wesi Budha can be seen in the middle room that also keeps some collections of the triumphant of Buddhism civilization in Indonesia. In addition to the wesi budha, there are various household furnishings, weapons and handicrafts of the same period.

The victory of Ki Gede Pemanahan over Arya Penangsang who was in opposition to the King of Pajang was the beginning of the foundation of Mataram Islam Kingdom. Thanks to Ki Ageng Pemanahan who helped Pajang, the King of Pajang rewarded him a forest named Mentaok where he built Mataram Islam Kingdom in 1575 with his people called mentawisan.

An Old City as Center of Silver Handicrafts
Located around 10 kilometers at the southeastern part of Yogyakarta city center, the area is now well known as Kotagede as the center of silver handicrafts in Yogyakarta. Keeping around 170 old buildings built in 1700 to 1930, "Kotagede is not only named Silver City but an Old Capital City" as Achmad Charris Zubair, a Kotagede cultural observer, said.
Entering Kotagede from the north through Gedong Kuning, a small street framed with classical buildings along both sides look like an exotic opening for tourists after going through the gate.
Since entering Kotagede area, tourists begin to enjoy various kinds silver handicrafts at various prices sold at the front part of local people's house functioning as the gallery at the same time. Most of the houses are in traditional Javanese architecture called Joglo.
Silver handicraft is a culture descended by the ancestor to the next generations. Initially, handicrafts in Kotagede were made of gold, silver and copper. By the coarse of time, however, silver is most preferred. For the reason, craftsmen make more silver handicrafts until today. This handicraft is exported to foreign countries, mainly to Europe. Order is usually increasing by the year end.
Please drop by at the gallery to see various kinds of handicraft, ranging from jewelry, silver ornament and utensils that are made with artistic touch of Kotagede silversmiths. Warm smile and greeting are pleasant reception to begin the exploration through Kotagede.
Ref:www.yogyes.com

Formerly Tamansari was a recreation garden or a resting house for the Sultan and Family. The other resting houses including Warungboto, Manukberi, Ambarbingun, and Ambarrukmo functioned for the vacation and meditation for the royal family. The other function is used as hiding place for royal family to defend against the enemy assault.
Tamansari is located about 2 km south of Yogyakarta Palace. Built by Portuguese architect in European aquatic construction adorned with Javanese Symbolize ornaments. Tamansari was built in the Sultan Hamengku Buwono I period in the end of XVII Century. Tamansari not only just a recreation, but it's also a compound of bathing pool, canals, rooms and extremerly large swimming pool (if the canals opened).

The Tamansari complex consist of:
1. The Sacred Room
There is the sacred place in the complex showing a separated building, which once functioned as a hermitage place for the Sultan and his family
2. The Bathing Pool
This part was formerly a pleasure place for the royal family. Consists of two bathing pool that are separated with a 2-storey building. From this building the Sultan watched all the women swimming in the outer pool. Then he might ask some of them to accompany him into the inner pool. The water sprouts from a forming animal statue into the pool. The pool is also adorned with some big flowerpot.
3. Kenanga or Cemeti Island
This part compounds of some building such as Kenanga or Cemeti Island (forming Island), Sumur Gemuling and underground tunnels.

This artificial island is a high building used as resting room and reconnoitering place. This will be the only building surfaced when the canals opened and the water over flew this area. From the higher place it like lotus floating in the middle of big pool.
Sumur Gemuling is building constructed in circle such a well (Javanese: sumur) where some rooms formerly used as praying room.
The tunnels in this area were underground passageways to the Sultan palace. The legend says about secret tunnel connecting to the south sea (Indian Ocean) where Nyai Roro Kidul or the Queen of the South has her palace. The supernatural Queen becomes the wife of Yogyakarta Sultan for many generations. This secret tunnels is gateway to the world where the Sultan meeting is supernatural wife. However the building also functioned as a hiding place for the royal family against the enemy attack.
Ref: www.yogyes.com

Keraton is the name of the Sultan's Palace in Yogyakarta. This 200-year-old palace complex is situated right in the heart of Yogyakarta. According to Javanese belief, the ruler is the "naval" of their universe. Hence, the Keraton is regarded as both the capital of Yogyakarta province, as well as the hub of the cosmos.
It lies between Tugu as the north border and Panggung Krapyak as the south border, between Code River in the east and Winongo River in the west; between the Merapi Mountain and the South Sea. In the mind of the Javanese community, kraton is defined as center of the world that is described as center of the universe.

History of the Sultan Palace
After the Giyanti Agreeement, Yogyakarta territory was given to Pangeran Mangkubumi. To run his governance, he built a palace in 1755 in Hutan Beringan area; such a good place flanked by two rivers that protect it from being flooded. The first king of Yogyakarta Palace was Pangeran Mangkubumi with the title Sri Sultan Hamengku Buwono I (HB I).
Karaton, Keraton or Kraton, originates from the word ke-ratu-an that means the place where the queen/king lives. Simple explanation of its broader meaning is that all structures and buildings in the Kraton area have significant meaning related to essential Javanese philosophy of life, namely Sangkan Paraning Dumadi that means the origin and the destination of human being.


Hit by the earthquake in 1867, the Sultan Palace was severely damaged. During the reign of HB VII in 1889, the building was renovated. The lay out being retained, the shape of the building was changed to the current look.
Tugu monument and Manguntur Tangkil hall or Bangsal Kencana (where the king is seated), are straight in a line. This means that while sitting on his throne and looking toward the Tugu monument, he will always remember his people.
In general, the space arrangement of the current Sultan Palace is similar to the one of Mataram Dynasty. The center of the Palace is the so called Bangsal Kencana that is adjacent to Bangsal Prabayeksa as the place to keep sacred weapons (in this room, there is an oil lamp called Kyai Wiji that is kept lit by the Palace servants). This hall is surrounded by Kedhaton yard so that people must go through layers of the yard that seem like waves in order to reach the center.
This special arrangement of the Palace looks similar to constellation of mountain and Jambu Dwipa land that is considered to be central archipelago of the universe.
From north part to west part of the Palace area, there are North Square, North Siti Hinggil, North Kemandhungan, Srimanganti, Kedhaton, Kemagangan, South Kemandungan, South Siti Hinggil and South Square (the yard that is protected by high walls).
In order to reach all of the places, there are nine gates (called regol) that must be passed through, namely: gerbang, pangurukan, tarub agung, brajanala, srimanganti, kamagangan, gadhung mlati, kemandhungan and gading.
Brongtodiningrat sees the significance of this number, as the highest number to describe excellence. This is related to nine holes in human beings, commonly called babahan hawa sanga.
The sacredness of each Palace building is indicated by the frequency and intensity of Sultan activities in the location.
Sultan only visits the Square, Pagelaran, and Siti Hinggil three times a year, namely during the events of Pisowan Ageng Grebeg Maulud, Sawal and Besar and other very special, incidental events such as coronation of the Sultan and the crown prince or Pangeran Adipati Anom.
Yogyakarta Sultan Palace is an old building that was once damaged and restored. In general, it looks like other Kingdom buildings. When we understand the philosophy of them deeper, however, we will understand the symbolical meaning of life philosophy, human nature, how the nature works and human beings live their lives and various symbols of life existence in them.
ref: www.yogyes.com